Tuesday, January 23, 2007

The World is Sound



OK, going to talk about something that may be a little controversial, but what are blogs for, eh? I've had or witnessed a couple of independent conversations that dealt with opposite sides of the same issue. Both of them made me feel kind of sad and angry as well. I have one very close friend who is relatively new to Sikhism, and her family has mixed feelings about it. They are all very open minded and universal, but they perceive Sikhism as being somewhat limited and ritualistic. My friend has said, and I agree with her, that Sikhism seems kind of insular from an outside perspective. And they also don't understand why she would want to devote so much energy into Sikh music. It is hard for her because she's stuck between 2 worlds that don't really relate to each other.

I spent some of my weekend with Snatam and Guru Ganesha because they wanted me to record the intense Raag training that they had scheduled. It came up during one of the sessions that at a number of different Gurduara's that they visited while on tour, the Granthis or heads of the Gurduara wouldn't let them play if they were going to include their non-sikh tabla player.

What has happened to Sikhism that these kind of things happen?\nDon't get me wrong, I love being a Sikh, and nothing makes me feel more empowered than wearing my 5 Kakars and full bana, or when I do Panj Baniaa. But to me, Sikhim was founded on a few very basic principles. A sense of Seva, or selfless service, and very stong concept of all inclusion. The Siru Guru Granth Sahib is full of hymns written by a number of Hindu and Muslim saints, some that lived before Guru Nanak's time. Members of all faiths were always welcome in Gurduara and the Lungar kitchen, and Guru Nanak's own chela and Rhebab player was a devout Hindu. Sikhism has never preached that it wasn necessarily better than other religions or that other faiths aren't valid. The reason Guru Nanak Ji offered a new path was much of Hinduism and Islam at the time was so corrupt and the people weren't living their faith, not because the faith and philosophy itself wasn't also a valid path to God.

Above all though, Sikhism was founded on the Pillar of the Shabd Guru. The whole Universe as we know is just vibrations at different frequncies, different manifestions of God if you will. And it is when these vibrations vibrate at higher and more pure frequencies that we perceive them as sound. The Guru's of the Sikh faith understood this phenomena and gave us the tools to fully utilize it in the form of the Shabd Guru, the perfect sound current. As Sikhs we only bow our head to the Siri Guru Granth Sahib, and the logic behind this is that only the perfect sound current, or Naad embodied in our Guru can truly help one vibrate with and become one with God. This isn't to say that you can only find Naad in our Guru, but I would be hard pressed to find so much, so centralized anywhere else.

But to have a friend who says she almost felt guilty wanting to devote her life to the Shabd Guru because of how her family perceives Sikhism and what they may have told her, or to hear that members of other faiths are not allowed to help lead our Sangat in experiancing the Shabd through music, even though they have the talent and devotion to do so, it makes me a little sad

I should be optimistic though. All this is just a very small part of the Global Sikh picture. The Golden Temlpe in Amritsar is a place that members of all faiths feel comfortable to visit, not just Sikhs. At least half, if not more than half of the people that come through every day to bow their head have short hair and are clean shaven. And there are people like Snatam who have devoted their lives to sharing the Shabd Guru with as many people as possible. And on that positive note, here's a beautiful picture from Winter Solstice taken by Sita Kaur and a track I put together a while ago that I feel is appropriate to the topic. I was taking an Audio Production class and our teacher gave a lecture on the concept of silence and an amazing man by the name of John Cage ( John Cage's 4'33"). It really resonated with me, because I've been taught as a Yogi and a Sikh that the universe is always vibrating God's name, so there is never "true silence." The Unstruck Sound Current, God frequncy, is always vibrating in everything. It was a great opportunity to experiment with this concept, and so I did. I think I could do a better job today, but I'll let this stand alone.

Silence by The River
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I'll post more beautiful examples of the Shabd Guru being sung soon.

Thursday, January 11, 2007

Winter Solstice Gurduara and Rensabhai


Picture stolen from Snatam Kaur's blog

So this will be my last Winter Solstice Post. I only have the second half of the WS Rensabhai recording and Dharam has the first half, so I may extend this post later once I get it from him. Check back later.
Since Winter Solstice, we had our own Rensabhai here in Espanola which I was able to record in it's entirety and it came out really well so I'm really anxious to start posting some samples from it. Before I get to that though, I want to share these last few gems for Winter Solstice 2006 with you.

The first is from one of the morning Gurduaras after Sadhana. I'm singing the Shabd and two extremely talented Guitar player, Siri Vias Singh and Pritham Hari Singh are playing with me. Also Hargobind senior of the brothers Hargobind is on Tabla. It was so bliss full for me at the time to sing with such beautiful accompaniment, but I made a few mistakes which are hard for me to listen to on the recording, and my voice went off a few times. Also it's pretty distorted in a number places because I wasn't able to watch the levels on my laptop since I was singing. All the people that I have shared it with say they really like it though, so let me know what y'all think.

Uthat Sukhia Baithat Sukhia - Sat Darshan Singh and Friends
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The second 2 tracks are Guru Nam Singh accompanied by Snatam Kaur from the Rensabhai. He got to play for the double time of his slot because the person scheluded after him wasn't feeling well and he played a number of really beautiful original devotional songs of his. It was so nice to get to hear him play for so long and to have Snatam sing with him. It really put me in a state of Anand.

Ardas Bhaiee - Guru Nam Singh feat Snatam Kaur
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Like a Calm Lake - Guru Nam Singh
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The last track is extremely talented Siri Vias Singh playing a very peacefull chant from the Rensabhai. He's a blues guitarist and he usually plays his guitar in open D. He didn't do any slide for this, but it has just a twinge of a bluesy feel to it. Another very blissful track.

Sat Nam Wahe Guru - Siri Vias Singh
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Enjoy and let me know what you think.

Thursday, January 04, 2007

Winter Solstice Sadhana

One of the greatest things about going to Solstice is being able to participate in group Sadhana in the Amrit Vela. And my favorite part about group Sadhana at Solstice is having the chants lead by some of the most divinely inspired musicians in 3HO. And they always get a huge Jetha to play with them with lots of vocal and instrumental accompaniment. They are always led with so much love and devotion, every morning I missed was a huge disservice to myself.

The second to last morning of Solstice was led by Karta Kaur and her sister accompanied by Siri Om Singh and another devoted musician whose name I don't recall on the pedal slide guitar. Some camp members had already left and this was the morning after the rensabai so I was really tired, but I really enjoy Karta's Sadhana and I was glad she got a chance to play it.

Mul Mantra
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The chants on the first morning of Winter Solstice were led by Hari Bhajan Kaur previously of Tennessee, now of Florida near Kashi Ashram. She did all the chants from her Sadhana CDs, but it was really nice to hear them live. Her voice is so ambrosial. She was accompanied by Guru Nam Singh who also has an amazing voice and devotion. This is a short clip from the Wahe Guru chant.

Wahe Guru, Wahe Jio
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The chants on the third morning was one of my favorites. It was led Guru Ganesha Singh with back up vocal by Karta Kaur and Sat Jot Singh doing backup vocals and playing keys. They did some from the Grateful Ganesh Sadhana CD, some from live at 5, a few that haven't even been recorded and one from one of Snatam's very first album which was a Sadhana CD (good place to start). It was like a chronicle of Spirt Voyage from before it even was Spirit Voyage. This was the Guru Ram Das Chant they played which Guru Ganesha borrowed from Sat Jot Singh because it is so Beautiful.

Guru Ram Das Chant
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Enjoy!